FIG TREE
In Fig Tree, Lorna Bees uses sound, repetition and intense physical imagery to explore panic, fear, bodily distress and the difficult journey towards recovery.
In Fig Tree, Lorna Bees uses sound, repetition and intense physical imagery to explore panic, fear, bodily distress and the difficult journey towards recovery.
In PTSD, Lorna Bees uses fragmented imagery and emotional contrasts to explore psychological distress, isolation and the possibility that even a small moment can bring hope.
In Edge of Psychosis, Suzan Kantanzi explores jealousy, obsession, betrayal and revenge through a disturbing narrator determined to be “next in line” at any cost.
In Peace, Davis Ndyomugabe of Qachecks explores peace as a calming presence amid life's chaos, inviting us to slow down, breathe and embrace the quiet moments of life.
In A Sunny Painting, Jude Cipher celebrates nature, freedom and joy through vivid images of green landscapes, birdsong, wind, water and movement, bringing them together as one beautiful living painting.
TGIF — For a Life Well Lived transforms a personal story of alcohol, faith and recovery into a moving tribute to King Oyo Nyimba Kabamba Iguru Rukidi IV and the legacy he leaves behind.
In August 2026 — The Black Month, Treasure reflects on grief and loss in Uganda, mourning lives gone too soon while holding onto the possibility of hope beyond a painful August.
In Apology to My Love, Godwin the Poet explores changing feelings, heartbreak and self-discovery as a young speaker questions whether what he once felt was truly love.
In Property Is Memory, Davis Ndyomugabe of Qachecks reflects on property, inheritance and lineage, exploring how ownership can preserve family names and connect generations.
In A Witness Without Testimony, Davis Ndyomugabe of Qachecks confronts silence and indifference, questioning what it means to witness wrongdoing yet choose not to act.