Just One
What begins as “just one” can become a burden too heavy to carry. Ama Poetry uses repetition and irony to explore personal choices, mounting consequences and appeals for government assistance.
My Heart Sobs Bitterly
From romantic outings at Sheraton to the harsh streets of Kasokoso, a woman confronts betrayal and poverty, finding the courage to rebuild her future from heartbreak.
Open Hearts
Haunted by memories of love and betrayal, a poet struggles to open his heart again. Jude Cipher explores vulnerability, longing and the emotional scars left by heartbreak.
Make Uganda Great by Making Ugandans Great
What should Uganda's next president prioritise? Felex Niwagaba argues that true national greatness begins with healthier citizens, safer communities, productive households and institutions that turn good ideas into measurable public value.
ELETA MANYA KI?
In Kampala, payday comes with witnesses and leaves with receipts. Victor Bauer Mukundane humorously captures the endless bills, borrowing requests and financial excuses of everyday city life.
The Romantic Heretic
What if love required contracts, guarantees and verified credentials? Juma Clever Collins hilariously challenges romantic idealism in a witty reflection on affection, loyalty and emotional risk.
The Boy Who Became My Father
What if we could meet our fathers before they became our fathers? Victor “Bauer” Mukundane reflects on childhood, sacrifice and the quiet courage of a boy learning to become a father.
WORDS JUST CROSSED RIVERS
In Words Just Crossed Rivers, Daisy Atuhaire explores the courage to confess love through a moving metaphor of words swimming across rivers to reach another heart.
YEAR 2005
A three-year-old boy loses his father in September 2005. Years later, the unanswered questions follow him through relationships, faith and adulthood. Year 2005 is a deeply personal rap about grief, growing up without a father and the promise of reunion.
Blade of a Knife
A knife can cut bread or spill blood. In Blade of a Knife, Jude Cipher questions whether evil belongs to an object or to the intentions of the person who uses it.
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