RESCUE
In Rescue, MK Kuol transforms the simple act of saving a drowning fly into a reflection on mercy, survival and how acts of kindness may appear to those who receive them.
In Rescue, MK Kuol transforms the simple act of saving a drowning fly into a reflection on mercy, survival and how acts of kindness may appear to those who receive them.
MK Kuol uses the shedding of leaves during the dry season to ask whether some painful losses might be forms of protection whose purpose we understand only later.
In Should I Abreact?, Kenganzi Anitah Maverick explores emotional exhaustion, unreturned affection and the struggle to stop chasing acceptance and choose peace.
Felex Niwagaba examines bride price, sex, financial responsibility and transactional relationships as he asks a provocative question: is there what he calls “neo-prostitution” within modern marriage?
In When I Am Asked Why I Am Not Married, Felex Niwagaba examines money, sex, marriage and changing relationship expectations through a provocative concept he calls “neo-prostitution.”
In My Grandfather, Gerald Obote recalls a childhood fowling expedition that ends in devastating loss, using crows, silence and memory to portray the death of a beloved grandfather.
In To, Atuhwera Daphine traces the human journey through friendship, education, love, family, wealth, poverty and suffering before confronting the one destination every life eventually shares.
In On My Way to 30, Marvin M.W reflects on turning 27, confronting childhood wounds and rediscovering faith, hope and his own voice as he begins the journey towards 30.
In True Love Doesn't Hurt, Kenganzi Anitah Maverick reflects on deceptive promises, emotional pain and forgiveness before finding the strength to rise and move forward.
In Love of My Life, Kenganzi Anitah Maverick uses crimson, scarlet and fiery imagery to portray passionate love as an intense force capable of consuming the heart.