In The Bomb, Omadang Yowasi turns a conversation with his deceased father into a striking meditation on memory, ancestry and inheritance. Through the haunting image of bones as bombs, the poem asks what remains of a parent within the child after death.
In Staying Afloat!, Davis Ndyomugabe turns geography into a playground for satire, using place names, rhyme and political references to explore conflict, history and an unpredictable world.
In Is Life a Battlefield?, Ama Poetry reflects on life's recurring struggles and asks a haunting question: why does another battle seem to begin whenever one finally ends?
In In the Loo…, Davis Ndyomugabe of Qachecks humorously transforms an ordinary private space into a sanctuary for solitude, freedom, creativity and unexpected ideas.
In Solitude, Davis Ndyomugabe of Qachecks explores stillness, nature and self-reflection, transforming a moment of loneliness into a peaceful communion with the world.
In Upon This Country Road, Dickson Mukisa turns a changing road to his grandmother’s home into a reflection on family, Christmas homecomings, ageing, memory and mortality.
In The Great Uniter, Jeremiah Okallany reflects on death, grief and memory, exploring the paradox of how losing someone can bring families and communities closer together.
In Ours Is Ours, but Mine Is Mine!, Davis Ndyomugabe of Qachecks explores self-reliance, personal freedom, dependence and the dignity of being able to make one's own choices.
In Teetotaler, Davis Ndyomugabe of Qachecks uses humour and irony to tell the story of a night of drinking that ends with an unforgettable morning revelation.
In PTSD, Lorna Bees uses fragmented imagery and emotional contrasts to explore psychological distress, isolation and the possibility that even a small moment can bring hope.
One Ink. One World.
Contact
Address
